wedding sewing projects include:
wedding dress
veil
petticoat
five bridesmaids dresses (my mom is making the other two, as well as dress similar to my own for my little cousin Lexi, junior bridesmaid)
hand-embroidered pocket square for Ben
The colors are coral and sea-foam, and my impressively talented and generous bridesmaid, Lozana, designed the invitations and website to coordinate with the fabrics and mid-century aesthetic. Lozana incorporated a William Morris wallpaper pattern we both love. She suggested overlaying coral tissue paper against the main invitation, so the experience of opening the envelope would be much like opening a present. Fortunately, I accidentally bought 5lbs of tissue paper, so I’m using the rest for sewing pattern drafting! A wax seal on the envelope adds the final touch.
I find the large bow at the back pleasantly reminiscent of the dress the mice help Cinderella make in Disney’s 1950 film. Fitting this theme, I purchased carved lucite 1950s’ slingback heels from Frocks & Frills Vintage etsy shop for my ceremony shoes (in a Cinderella-worthy size 4; they fit like a glove). I’ll change into coral saddle shoes for the reception, as Ben and I plan on swing dancing the night away.
My goal for the finished dresses is for the ladies wearing them to feel elegant, enchanting, and classic, and have no insecurities or fitting troubles to worry them.
Sewing Specifics
For the bodice of my dress, I first laid out the fabric so that when I cut, the beadwork would be perfectly symmetrical in both the front and back pieces. I needed to figure out a way to prevent the sewing machine needle from snapping on the beads, while ensuring I didn’t trim the wrong threads and cause necessary beads to slip away. So I hammered out–with excruciating care–all the beads in seam allowances before I cut out the pattern pieces. Then I hand-basted the dart markings, and hammered out the beads inside before I sewed the darts.
Other bodice changes: I deepened the V-back ever so slightly and dropped the neckline 1/2” in the center front so that my collarbones peek out. I also added a underlining of lightweight netting in the bodice. This way, if I need to secure the facings in a spot that doesn’t have a convenient seam, I can sew the facing to the netting, and the stitches won’t show through to the outer layer. Finally, I drafted sleeve facings, as I find facings look neater than using bias tape or double founding a hem, and again, allow for no visible stitches.
Because a dress is incomplete without pockets, I added deep, hidden side pockets for both my dress and all my bridesmaids’ dresses, even though the patterns didn’t call for them.
I still have to neaten the basted skirt gathers, permanently stitch the bodice to the skirt, sew in the size sipper, and hem the skirt. I plan on trimming off the excess fabric at the length and using it as a hem facing. I’ll hand-stitch the hem with a blind stitch.
For each bridesmaid’s dress, I re-drafted the pattern pieces according to the bridesmaid's individual measurements. Since most of my bridesmaids are tall, when adding length to the bodice, I had to reconfigure the French darts. Fortunately, after a little trial-and-error, I was able to figure out how to do this!
To make the lace overlay, after cutting out all the pieces, I stitched the underlay and the overlay together around the raw edges, then sewed the darts as if they were one. This proved a little challenging because the lace is stretcher than the satin, but using a knit needle helped considerably.
Because the bodice is fully lined, I also did quite a bit of under-stitching to ensure the lining lies flat and the seam doesn’t roll out.
We’ll do a fitting at the bridal shower, and until that point, all of the dresses will be left in an incomplete state. After the fitting, the skirt will be double-hemmed up and hand-stitched.
To make my petticoat, for the yoke, I used extra fabric from my wedding dress skirt and the top 8” of a pencil skirt pattern with eight darts. I widened the side seams at the lower edge, fully lined it, and put in a center back invisible zipper. After putting this together, I added another 8” long piece of excessively gathered tulle. I’m currently finishing the third gathered layer with 1/8” ivory bias tape. This final piece is nearly five yards around before the gathers are pulled.
I love the symbolism and mystique of the veil. I haven’t started on sewing it yet, but–big surprise–I’ll be using an authentic 1950s’ pattern. The comb covering will be made from the remnant of my bodice fabric. The veil will be made with a lightweight tulle, and I'm currently debating whether or not to use polka-dot.